Rubbing Out

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	<title>Rubbing Out</title>
	<link>https://rubbingoutproject.co.uk</link>
	<description>Rubbing Out</description>
	<pubDate>Sat, 09 Dec 2023 15:33:55 +0000</pubDate>
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		<title>Reading a Wave</title>
				
		<link>https://rubbingoutproject.co.uk/Reading-a-Wave</link>

		<pubDate>Sun, 16 Jul 2023 11:29:44 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

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		<description>READING AWAVE


He sees a wave rise in the distance, grow, approach, change form and color, fold over itself, break, vanish, and flow again. 
Isolating one wave is not easy, separating it from the wave immediately following, which seems to push it and at times overtakes it and sweeps it away; and it is no easier to separate that one wave from the preceding wave, which seems to drag it toward the shore, unless it turns against the following wave, as if to arrest it. 

April 2017


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Text: &#38;nbsp;Mr. Palomar;&#38;nbsp;Italo Calvino

Image: Karl Blossfeldt;&#38;nbsp;Urformen der Kunst


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Then, if you consider the breadth of the wave, parallel to the shore, it is hard to decide where the advancing front extends regularly and where it is separated and segmented into independent waves, distinguished by their speed, shape, force, direction. 

In other words, you cannot observe a wave without bearing in mind the complex features that concur in shaping it and the other, equally complex ones that the wave itself originates.

April 2017


	These aspects vary constantly, so each wave is different from another wave, even if not immediately adjacent or successive; in other words, there are some forms and sequences that are repeated, though irregularly distributed in space and time. 
	 Since what Mr. Palomar means to do at this moment is simply see a wave — that is,&#38;nbsp;to perceive all its simultaneous components without overlooking any of them — his gaze will dwell on the movement of the wave that strikes the shore until it can record aspects not previously perceived; as soon as he notices that the images are being repeated, he will know he has seen everything he wanted to see and he will be able to stop.


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		<title>About</title>
				
		<link>https://rubbingoutproject.co.uk/About</link>

		<pubDate>Sun, 16 Jul 2023 11:29:44 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

		<guid isPermaLink="true">https://rubbingoutproject.co.uk/About</guid>

		<description>
	rubbing out project

&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/33d83905de76cb5131ba1c44b0626a503da14d48d366c047c797d1145d8b3a0d/Fishmonger-1..jpg" data-mid="202786607" border="0"  src="https://freight.cargo.site/w/1000/i/33d83905de76cb5131ba1c44b0626a503da14d48d366c047c797d1145d8b3a0d/Fishmonger-1..jpg" /&#62;
about rubbing out
Rubbing
Out is a participatory drawing project that creates space to connect with
species facing a threatened existence. It is an invitation to celebrate and
engage with the incredible animals with whom we co-inhabit the natural world.
Rubbing
Out is an interactive environment where you encounter hand-drawn images of
endangered animals. We invite you to spend time in the space and engage in
reflection, dialogue, drawing and ‘rubbing out’ as processes of connection to
each other and our natural world. Through this, we create a place to hold
feelings associated with the phenomenon of species loss and collectively come
closer to a sense of what animals mean to us and our planet.

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“I am rubbing out the gils, because if
it can’t breathe, it can’t live. Imagine how it would be to lose your ability
to breathe because of pollution.”Rubbing Out participant, Brixton, London


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	We
encounter well-known and lesser-known species through drawings. You are invited
to rub out parts of these drawings and contribute to a growing archive of
affected images and reflections of personal encounter and resonance. How does
it feel to transform the image? What stories emerge? How does this relate to a
wider context?


At
Rubbing Out we celebrate the micro and marginalised; animals as marginalised
beings and emotions that are often marginalised forces within us. We welcome
diversity of voices including voices of children who can see the world with
wonder and for whom there is most at stake. 


This is
a transdisciplinary work that draws on theory and practice from Process Work,
eco-design, participatory art and ethnography. The installation consists of low-impact
cardboard scenography, designed to encourage audiences to spend time with
materials and connect with the artists and other visitors. The space houses an
evolving gallery of altered artworks, a soundscape and film recordings made
with visitors and ecologists as well as hosting presentations from experts to
help us understand concepts of disappearance, reappearance and processes of
species reintroduction, conservation, and rewilding.


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	<item>
		<title>Info</title>
				
		<link>https://rubbingoutproject.co.uk/Info</link>

		<pubDate>Sun, 16 Jul 2023 11:29:48 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

		<guid isPermaLink="true">https://rubbingoutproject.co.uk/Info</guid>

		<description>


	︎︎︎&#38;nbsp;LAX
	︎︎︎ AMS&#38;nbsp;
	︎︎︎ JFK


NO BLINKING, INC.


	1 World Way
Los Angeles, CA 90045
USA
	Evert vd Beekstraat 202
1118 CP
Schiphol, Netherlands
	J.F. Kennedy
Airport —&#38;nbsp;International
Queens, NY 11430
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	<item>
		<title>Archive</title>
				
		<link>https://rubbingoutproject.co.uk/Archive</link>

		<pubDate>Sun, 16 Jul 2023 11:29:48 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

		<guid isPermaLink="true">https://rubbingoutproject.co.uk/Archive</guid>

		<description>
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&#60;img width="1370" height="1419" width_o="1370" height_o="1419" data-src="https://freight.cargo.site/t/original/i/e14b28ed21d20383c134cdc7dff010fe36bb3e053251a8f4cd6c5d0ff0db6de2/1c7e9e1027ea00e3886c1ae791c674be.jpg" data-mid="185209606" border="0" alt="Moon in the Afternoon" data-caption="&#38;lt;a href=&#38;quot;/Moon-in-the-Afternoon&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Moon in the Afternoon&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/e14b28ed21d20383c134cdc7dff010fe36bb3e053251a8f4cd6c5d0ff0db6de2/1c7e9e1027ea00e3886c1ae791c674be.jpg" /&#62;
&#60;img width="1930" height="1067" width_o="1930" height_o="1067" data-src="https://freight.cargo.site/t/original/i/730a0c99b413a47f3687da6e4be58135dec74eaa1f94dd2f360f40e91fc3b67d/brich.jpg" data-mid="185209607" border="0" alt="Gesetztes Bildgedicht" data-caption="&#38;lt;a href=&#38;quot;/Gesetztes-Bildgedicht&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Gesetztes Bildgedicht&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/730a0c99b413a47f3687da6e4be58135dec74eaa1f94dd2f360f40e91fc3b67d/brich.jpg" /&#62;
&#60;img width="3648" height="3648" width_o="3648" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2d786a9c145f9241eb7c9f403f109a452c913b510099e263acea1ab9b8f78d98/rock.jpg" data-mid="185209608" border="0" alt="Invisible Cities" data-caption="&#38;lt;a href=&#38;quot;/Invisible-Cities&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Invisible Cities&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/2d786a9c145f9241eb7c9f403f109a452c913b510099e263acea1ab9b8f78d98/rock.jpg" /&#62;
&#60;img width="2320" height="2320" width_o="2320" height_o="2320" data-src="https://freight.cargo.site/t/original/i/aba9b808a1fac4aab65e2fbd6c740d3fe8c4cc0146e338430c7bc2855b32b00d/block2.jpg" data-mid="185209609" border="0" alt="Difficult Loves" data-caption="&#38;lt;a href=&#38;quot;/Difficult-Loves&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Difficult Loves&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/aba9b808a1fac4aab65e2fbd6c740d3fe8c4cc0146e338430c7bc2855b32b00d/block2.jpg" /&#62;
&#60;img width="1593" height="1065" width_o="1593" height_o="1065" data-src="https://freight.cargo.site/t/original/i/eb8901f63c7ff21f06865c338bb5bf2eb66b2a5aaa12850034f8a1d1d5742187/something.jpg" data-mid="185209610" border="0" alt="Winter&#38;rsquo;s Night" data-caption="&#38;lt;a href=&#38;quot;/Winter-s-Night&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Winter’s Night&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/eb8901f63c7ff21f06865c338bb5bf2eb66b2a5aaa12850034f8a1d1d5742187/something.jpg" /&#62;
&#60;img width="790" height="1000" width_o="790" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" data-mid="185209611" border="0" alt="Marble and Blood" data-caption="&#38;lt;a href=&#38;quot;/Marble-and-Blood&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Marble and Blood&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/790/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" /&#62;
&#60;img width="2000" height="1891" width_o="2000" height_o="1891" data-src="https://freight.cargo.site/t/original/i/4a8abf406f7ef02142c85ad74966393e2978a3b5d77334910bab717eca4bc53c/4-on-a-clear-day-1973.jpg" data-mid="185209612" border="0" alt="Cross-Destinies" data-caption="&#38;lt;a href=&#38;quot;/Cross-Destinies&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Cross-Destinies&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/4a8abf406f7ef02142c85ad74966393e2978a3b5d77334910bab717eca4bc53c/4-on-a-clear-day-1973.jpg" /&#62;
&#60;img width="3920" height="2612" width_o="3920" height_o="2612" data-src="https://freight.cargo.site/t/original/i/66646fb9cf37e00b61edca35079b4175bb31b64eb8c698e0ced8c75390da780d/f52b17657d056f9d14e6ed4507f5a66a.jpg" data-mid="185209613" border="0" alt="Harmony of Proportions" data-caption="&#38;lt;a href=&#38;quot;/Harmony-of-Proportions&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Harmony of Proportions&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/66646fb9cf37e00b61edca35079b4175bb31b64eb8c698e0ced8c75390da780d/f52b17657d056f9d14e6ed4507f5a66a.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/89df6aa10ee1a89b57efe0b6a6f7889d015cfcf5ee7f0e63be545021beeaaad9/s1.jpg" data-mid="185209614" border="0" alt="The Nonexistent" data-caption="&#38;lt;a href=&#38;quot;/The-Nonexistent&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;The Nonexistent&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/89df6aa10ee1a89b57efe0b6a6f7889d015cfcf5ee7f0e63be545021beeaaad9/s1.jpg" /&#62;
&#60;img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" data-mid="185209615" border="0" alt="Serpents and Skulls" data-caption="&#38;lt;a href=&#38;quot;/Serpents-and-Skulls&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Serpents and Skulls&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" /&#62;
&#60;img width="1498" height="1708" width_o="1498" height_o="1708" data-src="https://freight.cargo.site/t/original/i/5eaac0e8f2aa9eb711e02d5bfa793e157714c0c6152adb8abd012d8e603a02e6/Jack-Kerouac.jpg" data-mid="185209616" border="0" alt="Moon in the Afternoon" data-caption="&#38;lt;a href=&#38;quot;/Moon-in-the-Afternoon&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Moon in the Afternoon&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/5eaac0e8f2aa9eb711e02d5bfa793e157714c0c6152adb8abd012d8e603a02e6/Jack-Kerouac.jpg" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fbbfe135c3410f276a184ee73e10a4e0c92ccbb9d69abfb4ea7ea87b12934209/tumblr_natho6NLfy1sdlu0ro1_r1_1280.jpg" data-mid="185209617" border="0" alt="Gesetztes Bildgedicht" data-caption="&#38;lt;a href=&#38;quot;/Gesetztes-Bildgedicht&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Gesetztes Bildgedicht&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/fbbfe135c3410f276a184ee73e10a4e0c92ccbb9d69abfb4ea7ea87b12934209/tumblr_natho6NLfy1sdlu0ro1_r1_1280.jpg" /&#62;
&#60;img width="3000" height="3787" width_o="3000" height_o="3787" data-src="https://freight.cargo.site/t/original/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" data-mid="185209618" border="0" alt="Marble and Blood" data-caption="&#38;lt;a href=&#38;quot;/Marble-and-Blood&#38;quot; rel=&#38;quot;history&#38;quot;&#38;gt;Marble and Blood&#38;lt;/a&#38;gt;" src="https://freight.cargo.site/w/1000/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>The Burbot</title>
				
		<link>https://rubbingoutproject.co.uk/The-Burbot</link>

		<pubDate>Sat, 09 Dec 2023 15:33:55 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

		<guid isPermaLink="true">https://rubbingoutproject.co.uk/The-Burbot</guid>

		<description>The Burbot

&#60;img width="2091" height="1500" width_o="2091" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5dd8f3de87f25c4b89521ab915f0548bfabbd633c602a45f6306e6ae727211ee/Burbot-postcard-.jpg" data-mid="200722375" border="0"  src="https://freight.cargo.site/w/1000/i/5dd8f3de87f25c4b89521ab915f0548bfabbd633c602a45f6306e6ae727211ee/Burbot-postcard-.jpg" /&#62;Drawing of a Burbot Fish by Andrea Carr

Through conversations with Reagan Pearce, Researcher at Kings College London, we encountered a lesser-known fish called the Burbot. The Burbot became extinct in the UK in the late 1960’s and research is taking place to explore options for re-introduction.&#38;nbsp;
You can here more about the Burbot in this concersation with Reagan:
Reagan Pearce, PHD researcher at King’s College London Introduces the Burbot fish.

Download Information sheet about the Burbot (authored by Reagan Pearce).


The following video is a recording of a rubbing out process on a drawing of the burbot fish with an audinec member at PQ festival, Prague. The participant rubs out the burbot’s distinguishing chin burbel and describes why...
Documentation of a rubbing out dialogue at PQ festival, Prague, 2023.


“She doesn’t have beautiful features any more and now she looks more like the other fish. Maybe fishermen won’t notice them as much because of this”


&#60;img width="2000" height="1331" width_o="2000" height_o="1331" data-src="https://freight.cargo.site/t/original/i/edaf665fc7fb56e331899da7c9ae61a6a7dead2f484563f71a169bf7304b18a2/PQ_Day-03_Image009.jpg" data-mid="202283917" border="0"  src="https://freight.cargo.site/w/1000/i/edaf665fc7fb56e331899da7c9ae61a6a7dead2f484563f71a169bf7304b18a2/PQ_Day-03_Image009.jpg" /&#62;
&#60;img width="1500" height="998" width_o="1500" height_o="998" data-src="https://freight.cargo.site/t/original/i/00dbf84b353bc00a1bb2ae2709188089a1743d4bbee2913211f59daa3cdbd148/PQ_Day-04_003.jpg" data-mid="202283918" border="0"  src="https://freight.cargo.site/w/1000/i/00dbf84b353bc00a1bb2ae2709188089a1743d4bbee2913211f59daa3cdbd148/PQ_Day-04_003.jpg" /&#62;
&#60;img width="1500" height="998" width_o="1500" height_o="998" data-src="https://freight.cargo.site/t/original/i/d9729bc5200949ba2a29e69b77d007c4dda3bc5a366791147ceddea464915eec/PQ_Day-04_107.jpg" data-mid="202283920" border="0"  src="https://freight.cargo.site/w/1000/i/d9729bc5200949ba2a29e69b77d007c4dda3bc5a366791147ceddea464915eec/PQ_Day-04_107.jpg" /&#62;
&#60;img width="1500" height="998" width_o="1500" height_o="998" data-src="https://freight.cargo.site/t/original/i/6e182fd12518718e2ecb51d4cb73a0782a59d5c33e94391755d5d7d67b1af00f/PQ_Day-04_146.jpg" data-mid="202283921" border="0"  src="https://freight.cargo.site/w/1000/i/6e182fd12518718e2ecb51d4cb73a0782a59d5c33e94391755d5d7d67b1af00f/PQ_Day-04_146.jpg" /&#62;
&#60;img width="2091" height="1500" width_o="2091" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5dd8f3de87f25c4b89521ab915f0548bfabbd633c602a45f6306e6ae727211ee/Burbot-postcard-.jpg" data-mid="200722375" border="0"  src="https://freight.cargo.site/w/1000/i/5dd8f3de87f25c4b89521ab915f0548bfabbd633c602a45f6306e6ae727211ee/Burbot-postcard-.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>People</title>
				
		<link>https://rubbingoutproject.co.uk/People</link>

		<pubDate>Sun, 16 Jul 2023 11:24:10 +0000</pubDate>

		<dc:creator>Rubbing Out</dc:creator>

		<guid isPermaLink="true">https://rubbingoutproject.co.uk/People</guid>

		<description>
	

Rubbing out has been co-created by Andrea Carr and Gemma Riggs
Andrea
Carr is an artist, eco-designer, facilitator and Ecostage co-founder. Her
widely exhibited designs bring vitality to eco-topics. Her work is informed by
studying Process Work and the flow of processes, individual and collective
dynamics.


Gemma Riggs is an artist and filmmaker
working across video, installation, photography and sound. Her work explores
intensities of experience and the intangible; how we translate emotion and
experience through word, vocal utterance, body and gesture.
Creative
Team at PQ Festival 2023:

Andrea
Carr: Co-creator, drawing and design
Gemma
Riggs: Co-creator, recording and film
Peter
Williams: Stage manager / Researcher
Lucie
Buchbauerová: Scientific collaborator
Simon
Duck: Sound Artist


Scientific and
ecological contributors:Research developed in conversation with
academics and experts at the UK Wildlife Trust, Department of Geography,&#38;nbsp;King's College&#38;nbsp;London&#38;nbsp;and
the&#38;nbsp;Institute for Environmental Studies, Charles
University&#38;nbsp;in Prague.
We are very grateful for contributions from and inspiring conversations with:


Lucie Buchbauerová (PhD candidate of environmental
sciences, Charles University in Prague)
Dr Mike Chadwick (Senior Lecturer
in Physical and Environmental Geography, King’s College London)
Prof. Jan Frouz (Charles
University in Prague Institute for Environmental Studies)
Tom Gibbs (Bison and Conservation
Grazing Ranger, Kent Wildlife Trust, UK)
Dr Brandon Mak (Urban Ecologist,
King's College London)
Prof. Jiri Reif (Charles
University, Prague, Institute for Environmental Studies)
Reagan Pearce (PHD Researcher,
King's College London)


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